10/31/2023 0 Comments Addicting games jack smithValues upended, à la Genet: what straight society considers irredeemably low, raised on high. “Scum” and “punk” were terms of approbation. That mingling of high and low society, penthouse and pavement, was a distinguishing mark of the surrounding scene, where there was a self-conscious glorying in things sleazy. Her Warhol family name was Brigid Polk, granted for her habit of randomly poking people with an amphetamine-filled syringe. “Live at Max’s” was recorded by Brigid Berlin, a onetime receptionist for Andy Warhol whose father was the president of the Hearst Corporation. In this grimy oubliette, sex, drugs, and rock and roll do not herald the dawn of some airy utopia the mood is new, and dark. “What is it? A Tuinal? Gimme it immediately.” That night, the band’s set list included songs called “New Age” and “Beginning to See the Light,” but no one could have mistaken their etiolated din for the sweet harmonies and sweeter optimism of the nineteen-sixties. On the Velvet Underground official bootleg “Live at Max’s Kansas City,” recorded on August 23, 1970, you can, at one point, hear the author and downtown face Jim Carroll, in the audience, asking someone to go fetch him a “double Pernod,” and then interacting with a passing drug dealer.
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